#VELVET UNDERGROUND RAR MOVIE#
“Ride Into The Sun” has a very obvious lower soundquality than the rest of theĪcetate sounds as good as half of the songs on White Light/White Heat! This rougher acetate version seemed a perfectįit to conclude the album, not to mention it's one of the best recordings the band ever made.Īccording to Moe Tucker in Bockris and Malanga's book, Uptight (1983), "We did 'Stephanie Says', 'Lonesome Cowboys' (written for Warhol's movie of the same name), 'Foggy Notion', 'I'm Sticking With You', 'My Best Friend', 'Sad Song', 'Andy's Chest', and 'Ocean'. The result is that, while definitely listenable and certainly enjoyable, Sourced from an old acetate rather than the remixed mastertapes.
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While they were clearly recorded at the same 1969 studio session (mislabeled on the What Goes On liner notes), this version is unfortunately Sun” that actually features vocals, unlike the common Another View version. The album concludes with a serene What Goes On version of “Ride Into The The second necessary epic of the album, we have the superior master of another song re-recorded for Reed’s first soloĪlbum: “Ocean”, which is taken from What Goes On. Long version taken from the promo cassette pressing of VU which runs 19 seconds Reed for his 1976 solo album Coney Island Baby, “She’s My Best Friend” is the Is taken from Peel Slowly and See, in which the final chord of the song is more Steeplechase” from Another View, the longest version of “I’m Sticking With You” Solo album in 1972, “I Can’t Stand It”, here using the best master found on Side B starts with a song Reed again re-recorded for his first This “Foggy Notion” is now as long andĬomplete as possible, clocking in at 7:00 as opposed to the 6:45 version on VU. Vinyl pressing of VU and the longer-fade mix found on the What Goes On boxset. Make the longest possible complete version by using the guitar intro from the Notion”, the first of two necessary ‘epic’ songs on a Velvet Underground Concluding Side A is my own edit of “Foggy Re-recorded for his first solo album it is taken from the Peel Slowly and Seeīoxset, which runs three seconds longer than the typical VU version. “Andy Chest”, a song Reed re-recorded for isĬlassic 1972 Transformer album, follows and is taken from the CD pressing of On boxset, that runs about five seconds longer than the typical VU version. Snarl of “One of These Days” this is the longer version found on the What Goes Although Reed later re-recorded this unreleased song for his 1978 soloĪlbum Street Hassle, this is the original Velvet Underground version taken from “We’re Gonna Have A Real Good Time Together”. Intentionally-inane single designed specifically to ‘give FM radio what it wants’, Side A begins with Reed’s idea of an ironic and Nearly 40 minutes: the typical format for a Velvet Underground album! The result is eleven solid tracks that run I simply dropped the two weakest tracks-the unnecessary filler “Ferryboat Bill”Īnd the long and uninteresting “I’m Gonna Move Right In”. With You” were re-recorded for Loaded, they did not make that final cut and are Loaded in contrast, although both “Ocean” and “I’m Sticking
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Will exclude the early version of “Rock and Roll”, since it later appears on Of the fourteen tracks recorded in 1969, we Two songs as they were most likely not a part of this project. Your Heart”, we must resist the temptation inside our hearts (no matter what Stephanie says) to include these Seems more than a coincidence! While the 1985Īlbum VU also includes the unreleased single “Stephanie Says” and “Temptation Inside Recording studio from the exact same time period in question. While we don’t know what exactly would have been on the “lostįorth album”, we do have fourteen finished songs, recorded at a state-of-the-art Who are we to believe, if we believe any of Out of their contract, and that these recordings were never even meant to see Simply “busy work”, a put-on so that MGM would not suspect the band as wanting Morrison offers a completely different explanation: that the recordings were
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However claimed they were simply professionally-recorded demos for the album Recordings found on VU and Another View were not it. Proper forth album, although she confusingly claims that The Record Plant Sides with Reed, in that she was under the impression they were recording a
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Lou Reed expressed that the 1969 Record Plant recordings were meant for their fourthĪlbum-specifically noting that “We’re Gonna Have A Real Good Time Together” was Recorded at The Record Plant from May to October 1969, theĪctual band members have differing opinions on what the intent of these